Book&Book chapters

Book & book chapters

--- (2011).“The journey metaphor and the Source-Path-Goal schema in Agnès Varda’s autobiographical gleaning documentaries.” In: Monika Fludernik (ed.), Beyond Cognitive Metaphor Theory: Perspectives on Literary Metaphor, pp. 281-297. London: Routledge.

--- (2011). “An introduction to pictorial and multimodal metaphor.” In: Khalid Berrada and Abdelmajid Jahfa (eds), Metaphor and Cognition, pp. 65-96 (Laboratory Publications, ISBN 978-9981-911-84.0). Casablanca: Sebra Press. [= slightly revised reprint of “Introduction” & Lectures 1 and 2 of online Course in Pictorial and Multimodal Metaphor.]

(2011). “ Practical cues for helping develop image and multimodal discourse scholarship.” In: Klaus Sachs-Hombach and Rainer Totzke (eds), Bilder, Sehen, Denken: ZumVerhältnis von begrifflich-philosophischen und empirisch-psychologischen Ansätzen in der bildwissenschaftlichen Forschung, pp. 33-51. Cologne: Von Halem.

---, Tony Veale and Kurt Feyaerts (2010). Balloonics: The visuals of balloons in comics. In: Joyce Goggins & Dan Hassler-Forest (eds),  The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form, pp. 56-73. Jefferson NC: McFarland.

--- (2010). Why and how study metaphor, metonymy, and other tropes in multimodal discourse? In: Augusto Soares da Silva, Jose Candido Martins, Luisa Magelhaes, and Miguel Gonvalves (eds), Communicao, Cognicao e Media, Vol. I., pp. 41-60. Braga: Aletheia/Associacao Cientifica e Cultural, Faculdade de Filosofia, Universade Catolica Portuguesa. Also published in: Rosario Caballero and Maria Jesus Pinar (eds, Ways and Modes of Human Communication, pp. 57-76. Cuenca: Ediciones de la Universidad de Castilla La Mancha.

--- (2009). Metonymy in visual and audiovisual discourse. In: Jésus Moya and Eija Ventola (eds), The World Told and the World Shown: Issues in Multisemiotics, 56-74. Basingstoke/New York: Palgrave MacMillan.

--- (2008).  Metaphor in pictures and multimodal representations. In: Ray Gibbs (ed.), Cambridge Handbook of Metaphor and Thought, 462-482. Cambridge: Cambridge University Press.

 ---, and Eduardo Urios-Aparisi (eds) (2009). Multimodal Metaphor. Berlin/New York: Mouton de Gruyter, 470 pp. 

---,  and Eduardo Urios-Aparisi (2009). “Introduction.” In: Forceville & Urios-Aparisi (eds), pp. 3-17. http://www.degruyter.de/files/pdf/9783110205152Introduction.pdf

--- (2009). Non-verbal andmultimodalmetaphor in a cognitivist framework: Agendas forresearch.” In: Forceville & Urios-Aparisi (eds), pp. 19-42 (Reprinted version, with minor correction, of Forceville 2006).

Eggertsson, Gunnar, and --- (2009). Multimodal expressions of the HUMAN VICTIM IS ANIMAL metaphor in horror movies. In: Forceville & Urios-Aparisi (eds), pp. 429-449.

--- (2009) . The role of non-verbal sound and music in multimodal metaphor. (Revised version of Forceville 2004), In: Forceville & Urios-Aparisi (eds)., 383-400.

--- (2008). Pictorial and multimodal metaphor in commercials. In: Edward F. McQuarrie & Barbara J. Phillips (eds), Go Figure! New Directions in Advertising Rhetoric, 272-310. Armonk NY: ME Sharpe.

--- (2008). Bumper stories: the framing ofcommercial blocks on Dutch public Television. In: Jaap Kooijman, Patricia Pisters, and Wanda Strauven (eds.), Mind the Screen: Media Concepts According to Thomas Elsaesser, 229-241. Amsterdam:Amsterdam University Press.

--- (2007).   Metaphors and anger in language and other media. In:Elana I. Clausen (ed.), Psychology of Anger, 17-21. Hauppauge NY: Nova Science.

--- (2006). Non-verbal and multimodal metaphor in a cognitivist framework: Agendas for research. In: Gitte Kristiansen, Michel Achard, René Dirven and Francisco Ruiz de Mendoza Ibàñez (eds.), Cognitive Linguistics: Current A pplications and Future Perspectives, 379-402. Berlin/New York: Mouton de Gruyter.

 ---, Paul Hekkert, and Ed Tan (2006). The adaptive value of metaphors. In: Uta Klein, Katja Mellmann, Steffanie Metzger (eds.), Heuristiken der Literaturwissenschaft. Einladung zu disziplinexternen Perspektiven auf Literatur , 85-109 Paderborn: Mentis. 

  --- (2005). Cognitive linguistics and multimodal metaphor. In: Klaus Sachs-Hombach (ed.), Bildwissenschaft: Zwischen Reflektion und Anwendung, 264-284. Cologne: Von Halem.

 ---(2004-2009). Course on Pictorial and Multimodal Metaphor. http://www.chass.utoronto.ca/epc/srb/cyber/cyber.html (five out of eight lectures have been completed).

--- (2004). The role of non-verbal sound and music in multimodal metaphor. In: Henk Aertsen, Mike Hannay, and Rod Lyall (eds.), Words in their Places: A Festschrift for J. Lachlan Mackenzie, 65-78. Amsterdam: Faculty of Arts, VU Amsterdam.

--- (2000). Categorisering, genre en reclame. In: Thomas Elsaesser and Pepita Hesselberth (eds.), Hollywood op Straat, 58-73. Amsterdam: Vossiuspers/ Amsterdam University Press. 

  --- (1996). Pictorial Metaphor in Advertising, London/New York: Routledge. (trade edition  of disser­tation), ISBN 0-415-12868-4, 233 pp.

--- (1996). “As far as I remember”: forms of evasive recall in the novels of Kazuo Ishiguro. In: Richard Todd and Henk Aertsen (eds.), Chicago/Amsterdam – A Man of Two Cities: Essays in Memory of August J. Fry, 129-44. Amsterdam: VU Uitgeverij..

---, and Hillig van ’t Land (eds.)(1995). European Perspectives on English-Canadian Literature, Nijmegen: ACSN. Canada Cahiers no. 8, 66 pp.

--- (1994). Pictorial metaphor in billboards: relevance theory per­spec­tives. In:  Jürgen Müller (ed.), Towardsa Pragmatics of the Audiovisual vol. 1, 93-113. Münster: Nodus.

--- (1993). Alice Munro's layered structures. In: Cedric Barfoot and Theo D'haen (eds.),  Shades of Empire in Colonial and Post-Colonial Litera­tures, 301-310. Amsterdam/ Atlanta GA: Rodopi.

--- (1997). Timothy Mo. In:Hans Ber­tens, Theo D'haen, Joris Duytschaever, and Richard Todd (eds.), Post-War Literatures in English 36: 1-17; A1; B1-B3.

--- (1998). Metaphor. In: Paul Bouissac (ed.), Encyclopedia of Semiotics, 411-415.  New York/Oxford: Oxford University Press.

--- (1998).The Re­mains of the Day: Ishiguro's boek en Ivory's film. De verfilming van romans als thema voor een les. In: Dick Schram and Cor Geljon (eds.), Grensver­leggend Litera­tuuronderwijs: Literaire en Kunstzinnige Vorming in de Tweede Fase, 7-24. Zutphen: Thieme.

--- (1996).De kleren van de butler: Meneer Stevens' metaforen in Kazuo Ishiguro's De rest van de dag. In: Henk Aertsen (ed.), Van Papegaai tot Porselein, 53-69. Amsterdam: VU Uit­geverij.

--- (1992). Kazuo Ishiguro. In: Hans Ber­tens, Theo D'haen, Joris Duytschaever, and Richard Todd (eds.), Post-War Literatures in English 17: 1-9; A1-; B1-B2.

--- (1994). Nadine van Matt Cohen. In Bart Voorsluis (ed.), Joods-Amerikaanse Literatuur 4, 85-104. Amsterdam: VU Uitgeverij.

--- (1991). Alice Munro. In: Hans Ber­tens, Theo D'haen, Joris Duytschaever, and Richard Todd (eds.), Post-war Literatures inEnglish 13:1-13; A1-A2; B1-B2.

--- (1990). Guy Vanderhaeghe. In: Hans Ber­tens, Theo D'haen, Joris Duytschaever, and Richard Todd (eds.), Post-war Literatures in English 8: 1-4; A1; B1-B2.

--- August Fry and Leo Gillet (eds.) (1989). Verhalen uit Canada. Amsterdam: Van Gennep.

--- (1988). The case for pictorial metaphor: René Magritte andother Surrealists. In: Ales Erjavec (ed.),Vestnik IX, 150-160. Institut za Marksist­icne Studije, Ljubljana.

---, August J. Fry, and Peter J. de Voogd (eds.) (1988). External and Detached: Dutch Essays on Contemporary Canadian Litera­ture. Canada Cahiers no. 4, Amsterdam: Free University Press, 64 pp.

--- (1988). My Present Age and the 'Ed'‑stories; the role of language and story‑ telling in Guy Vander­haeghe's fiction. In Forceville et al. (eds.), External and Detached, 53-61.

--- (1988). Some notes on Canadian literaturein TheNetherlands. In: David Homel and Sherry Simon (eds.), Mapping Litera­ture: the ArtandPolitics of Translation, 111-12. Véhicule Press: Montréal.