Publications

2012

• C.M. Lord (in press). "At the Margins of the World: The Nature of Limits in Terence Malick's The Thin Red Line". Text Matters, 02.
• C.M. Lord (in press). "Precarious Planet: Ecological Violence in The Age of Stupid". Excursions.

2011

• C.M. Lord (2011). "Dolphins Who Blow Bubbles: Anthropological Machines and Native Informants". Akademisk Kvarter, 03(Fall).

2009

• C.M. Lord (2009). "Angels with Nanotech Wings:Medicine and Technology in Aronoksky's The Fountain, Gibson's Neuromancer and Slonczewski's Brain Plague. Nebula, 6.4, 162-174.

2008

• C.M. Lord (2008). Scholars, dreams, and memory tapes. In P. Kooijman, P. Pisters & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 125-137). Amsterdam: Amsterdam University Press.

2007

• S. Durrant & C.M. Lord (Eds.). (2007). Essays in migratory aesthetics: cultural practices between migration and art-making. (Thamyris intersecting: place, sex, and race, 17). Amsterdam: Rodopi.
• C.M. Lord (2007). Set Adrift in Style. In G. Beer, M. Bowie & B. Perrey (Eds.), In(ter)discipline: New Languages for Criticism. Oxford: Legenda.
• S. Durrant & C.M. Lord (2007). Introduction: Essays in migratory aesthetics: cultural practices between migration and art-making. In S. Durrant & C.M. Lord (Eds.), Essays in migratory aesthetics: cultural practices between migration and art-making (Thamyris intersecting: place, sex, and race, 17) (pp. 11-19). Amsterdam: Rodopi.

2004

• C.M. Lord (2004). Becoming Still, Still Moving: Theoretical Pleasure in Sally Potter's Orlando. In J. de Bloois & F.W. Korsten (Eds.), Discern(e)ments: Deleuzian Aesthetics (pp. 171-185). Amsterdam, New York: Rodopi.
• C.M. Lord (2004). Rapturing the Text: The Paraliterary between Works of Derrida, Virginia Woolf and Jeanette Winterson. The Oxford Literary Review, 25, 139-157.

2002

• C.M. Lord (2002). Romeo, Juliet, and the Scholar Get Framed: Filmed Shakespeare, Cultural Analysis and a Frame at the Cutting Edge. In Travelling Concepts II: Meaning, Frame and Metaphor (pp. 267-289). Amsterdam: ASCA Press.

2001

• C.M. Lord (2001). The Lady Sits between Two Long Windows, Writing: Deleuze/Guattari and the Practice of Cultural. In P. Pisters (Ed.), Micropolitics of Media Culture: Reading the Rhizomes of Deleuze and Guattari. Amsterdam: Amsterdam University Press.

2000

• C.M. Lord (2000). "The Frames of Septimus Smith: Through Twenty Four Hours in the City of Mrs. Dalloway, 1923, and of Millennial London: ART IS A SHOCKING EXPERIENCE". Parallax, 12, 36-46.

2011

• C. Lord (2011). Off the see the Wizard: a short film. In E. Peeren & M. Aydemir (Eds.), Eighty-eight: Mieke Bal PhDs 1983-2011 (pp. 73-82). Amsterdam: ASCA Press.

2007

• C.M. Lord (2007). In the cooler. In S. Durrant & C.M. Lord (Eds.), Essays in migratory aesthetics: cultural practices between migration and art-making (Thamyris intersecting: place, sex, and race, 17) (pp. 49-56). Amsterdam: Rodopi.

2005

• C.M. Lord (2005). "Orpheus Leaves Home: Mixing Scholarship and Fiction in Camus' Black Orpheus.". In Patricia Pisters & Wim Staat (Eds.), Shooting the Family: Transnational Media and Intercultural Values (pp. 133-146). Amsterdam: AUP.

1999

• C.M. Lord (1999, September 15). The Intimacy of Influence. Narrative and Theoretical fictions in the works of George Eliot, Virginia Woolf and Jeanette Winterson. Universiteit van Amsterdam (290 pag.) (Amsterdam: ASCA-Press). Supervisor(s): prof.dr. M.G. Bal.

2011

• C.M. Lord (03-15-2011). Interview: Catherine Lord - 'De postfeministische wereld is grotendeels een illusie.'. XI: Mediasite met een kritische blik op film, tv en nieuwe media

2012

• C.M. Lord (2012, January 27). the Elephant in the Room: Pastoral and Fable between People, Elephants, Environments. Amsterdam, NICA: Eco-Poco: the Ecocritical Turn Through Postcolonial Eyes.

2011

• C.M. Lord (2011, May 11). What do Pictures Want: the State of Art Research. University of Amsterdam, Adventures in Multimodality, Research Group.

2009

• C.M. Lord (2009, January 28). Feral Tales. University of Ulster, Art and Design Research instiitue Lecture Series: Writing Art and Design.

2005

• C.M. Lord (2005, April 11). To Hold an Actor Up to Nature: Performance as Disruptive Narrative in 'Looking for Richard', 'The Revenger's Tragedy' and 'Gosford Park'. University of Amsterdam, Stories That Just Happen: Performative Narratology.

2003

• C.M. Lord (2003, September 4). Rapturing the Magus: Intertextuality as Intermediaity in Prospero's Books. Amsterdam (UvA), Opening of the Academic Year.
• C.M. Lord (2003, July 12). Images to Duet: Practice Research and the Case of Philip Glass. University of Leeds, Centre CATH, Conference Entitled: Warp/Woof: Aurality, Textuality, Music.
• C.M. Lord (2003, September 20). Set Adrift in Style: The Scholar as Fiction and Filmmaker in Woolf's Jacob's Room. University of Cambridge, Sidney Sussex College, New Languages for Criticism.

2001

• C.M. Lord (2001, August 10). Titus the Movie Nasty: Taymour's Titus Andronicus and the Case of Theatre to Film Studies. St. John's College, the University of Cambridge, Shakespeare and his Contemporaries in Performance.

2000

• C.M. Lord (2000, May 11). As Modernism Turned: Shakespeare's Influence on Mrs. Dalloway and Chris Marker. University of Leiden, OSL, Modernism in Context.

2012

• C.M. Lord. (2012). Performance in "Character Witness" by Nicoline van Harskamp [DVD] Retrieved from http://www.kadist.org/index2.php?lang=en
• C.M. Lord (2012, February 8). The 'Content' of an Ending: Digital Effects, Theoretical Effects and Lars von Trier's Melancholia. Universitiy of Amsterdam, Staff Research Seminar.
• C.M. Lord (2012, January 20). Introducing "Dark Ecology" and the Work of Timothy Morton. University of Amsterdam, Recycling Media Group, (Imagined Futures Programme).

2011

• C.M. Lord. (2011). Alice (performance) in "A Long History of Madness" [DVD]
• C.M. Lord (2011, November 26). Character Witness. The Kaai Theatre, Brussels, Spokenworld 2011.

2010

• C.M. Lord. (2010). Alice (performance) in Mère Folle [DVD]
• C.M. Lord (2010, October 16). "Collected Stories" (Donald Margulies) with Catherine Lord and Courtney Noble. Mulholland Academy, Amsterdam, Scene Night.

2009

• C.M. Lord (2009, November 15). Monologue: "Her Story". Zid Theatre, Amsterdam, Black Magic Women's Theatre Festival.

2008

• C.M. Lord (2008, June 6). "Ghostlight": the First Act (with the participation of actors from the Birmingham Repertory Theatre. Birmingham Hippodrome, Showcase Performance for the Mphil in Playwriting 2008.

2007

• C.M. Lord (2007). Raak (Hanro Smitsman). Assistant Director Short Film. Berlin Film Festival, Won Golden Bear: Berlin.