Publications - dr. M.A. (Thijs) Weststeijn

refereed academic publications (4)

2012

R. Bod, J. Maat & M.A. Weststeijn (Eds.). (2012). The making of the humanities. - Vol. 2. Amsterdam: Amsterdam University Press.

2009

T. Weststeijn (2009). Between mind and body: painting the inner movements according to Samuel van Hoogstraten and Franciscus Junius. Nederlands kunsthistorisch jaarboek = Netherlands yearbook for history of art, 60, 261-281.

2008

T. Weststeijn (2008). Margaret Cavendish in de Nederlanden: filosofie en schilderkunst in de Gouden Eeuw (Amsterdamse Gouden Eeuw Reeks). Amsterdam: Amsterdam University Press.

2007

M.A. Weststeijn (2007). 'Spinoza sinicus: an Asian Paragraph in the History of the Radical Enlightenment'. Journal of the History of Ideas, 68(4), 537-561.

academic publications (16)

2010

T. Weststeijn (2010). 'Signs that signify by themselves': writing with images in the seventeenth century. In R. Bod, J. Maat & T. Weststeijn (Eds.), The making of the humanities. - Vol. 1: Early Modern Europe (pp. 133-159). Amsterdam: Amsterdam University Press.
T. Weststeijn (2010). A young negro at dawn: Van Gogh and Barack Obama in a poem by Derek Walcott. In R. Esner & M. Schavemaker (Eds.), Vincent everywhere: Van Gogh's (inter)national identities (pp. 23-36, 169-170). Amsterdam: Amsterdam University Press.
T. Weststeijn (2010). Seeing and the transfer of spirits in early modern art theory. In J.S. Hendrix & C.H. Carman (Eds.), Renaissance theories of vision (Visual culture in early modernity) (pp. 149-170). Farnham: Ashgate.
R. Bod, J. Maat & M.A. Weststeijn (2010). The Making of the Humanities. Amsterdam: AUP.
T. Weststeijn (2010). Jonge neger bij dageraad: Van Gogh en Barack Obama in een gedicht van Derek Walcott. In R. Esner & M. Schavemaker (Eds.), Overal Vincent: de (inter)nationale identiteiten van Van Gogh (pp. 23-36, 177-178). Amsterdam: Amsterdam University Press.

2009

T. Weststeijn (2009). De zichtbare wereld van een schilder-dichter: Samuel van Hoogstratens 'Inleyding tot de hooge schoole der schilderkonst'. In J. Bos & E. Geleijns (Eds.), Boekenwijsheid: drie eeuwen kennis en cultuur in 30 bijzondere boeken: opstellen bij de voltooiing van de Short-Title Catalogue, Netherlands (pp. 167-176). Zutphen: Walburg Pers.
T. Weststeijn (2009). 'This art embraces all visible things in its domain': Samuel van Hoogstraten and the 'Trattato della pittura'. In C. Farago (Ed.), Re-reading Leonardo: the 'Treatise on painting' across Europe, 1550-1900 (pp. 415-439). Farnham [etc.]: Ashgate.

2008

T. Weststeijn (2008). Portraits of China and Japan: the case of the Dutch Golden Age. In K. Yoshida & B. Durrans (Eds.), Self and other: portraits of Asia and Europe (pp. 58-75, 274-278). Osaka: Asahi Shimbun.
T. Weststeijn (2008). Margaret Cavendish in de Nederlanden: Thijs Weststeijn wint de ABG VN Essay Prijs 2008. De Academische Boekengids, 67, 3-5.
T. Weststeijn (2008). Máxima, Mathilde en Johanna Schopenhauer: op zoek naar de kunst der Lage Landen’. Simulacrum, 16(2), 16-21.
T. Weststeijn (2008). De Indische wortels van het Nederlandse modernisme: ideeën over oosterse spiritualiteit bepaalden de interesse in Indische kunst. De Academische Boekengids, 71, 2-8.
T. Weststeijn (2008). The Germanic origins of art: Dutch and English antiquity according to Verstegan, Junius and Van Hoogstraten. Dutch Crossing, 32(1), 43-70.
T. Weststeijn (2008). "The colorful trash of the Flemish School": Netherlandish art and Russian literature. In E. de Haard, W. Honselaar & J. Stelleman (Eds.), Literature and beyond: Festschrift for Willem G. Weststeijn on the occasion of his 65th birthday (Pegasus-Oost-Europese Studies, 11-2) (pp. 885-906). Amsterdam: Pegasus.
T. Weststeijn (2008). The visible world : Samuel van Hoogstraten's art theory and the legitimation of painting in the Dutch Golden Age. (Amsterdam Studies in the Dutch Golden Age). Amsterdam: Amsterdam University Press.

2007

M.A. Weststeijn (2007). 'Visual Arts'. In J. Leerssen & M. Beller (Eds.), IMAGOLOGY: The Cultural Construction and Literary Representation of National Characters (pp. 451-456). Amsterdam & New York.
M.A. Weststeijn (2007). ''Painting's Enchanting Poison': Artistic Efficacy and the Transfer of Spirits'. In Chr. Göttler & W. Neuber (Eds.), Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture (Intersections, Yearbook for Early Modern Studies, IX) (pp. 141-178). Leiden & Boston.

professional publications (9)

2010

T. Weststeijn (2010). [Review of the book Body and embodiment in Netherlandish art = Lichaam en lichamelijkheid in de Nederlandse kunst]. HNA Review of Books, 2010(1).
T. Weststeijn (2010). [Review of the book Jacob Backer (1608/9-1651)]. HNA Review of Books, 2010(2).

2009

T. Weststeijn (2009). [Review of the book Gerson in Groningen: een portret van Horst Gerson, kunstkenner en hoogleraar kunstgeschiedenis (1907-1978)]. Studium., 2(1), 44-45.
T. Weststeijn (2009). [Review of the book Iconography without texts]. Journal of Art Historiography, 1.

2008

M.A. Weststeijn (2008). [Review of the book The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting]. Zeventiende Eeuw, 24(1), 118-121.

2007

M.A. Weststeijn (2007). [Review of the book Introduction à la haute école de l’art de peinture. Traduction, commentaires et index par Jan Blanc]. Simiolus, 32(2/3), 218-222.
M.A. Weststeijn (2007). [Review of the book In His Milieu. Essays in Memory of John Michael Montias]. Zeventiende Eeuw, 23(2), 277-279.
M.A. Weststeijn (2007). [Review of the book Rubens. A Master in the Making]. Zeventiende Eeuw, 22(2), 376-377.
M.A. Weststeijn (2007). [Review of the book Van Dyck. A Complete Catalogue of the Paintings]. Zeventiende Eeuw, 22(2), 379.

popular scientific publications (2)

2009

M.A. Weststeijn (02-01-2009). Voorbij de koude grond’ (over Dereck Walcott, Barack Obama en Vincent van Gogh). De Groene Amsterdammer, pp. 54-57.

2008