Faculty of Humanities
P.G.F. Eversmann
dr. P.G.F. (Peter) Eversmann
Capaciteitsgroep Theaterwetenschap University of Amsterdam


Oude Turfmarkt 141
1012 GC Amsterdam


Telephone
0205252286
0205252287

http://home.medewerker.uva.nl/p.g.f.eversmann/
Email



Peter Eversmann

Curriculum Vitae

Peter Eversmann studied in Wittenburg University, Springfield, USA (1973-74) and History of Art & Archeology (1974-78) followed by Theatre (1978-1982) at the University of Amsterdam, the Netherlands. He is Associate Professor at the Department of Theatre Studies (leerstoelgroep Theaterwetenschap), Coordinator of the Researchmaster Art Studies (onderzoeksmaster Kunstwetenschappen) and  Associate-Director of School of Art, Religion, and Cultural Sciences (Onderwijs Instituut Kunst, Religie en Cultuurwetenschappen) 

He is also vice-president of the International Federation for Theatre Research/Fédération Internationale pour la Recherche Théâtrale (see link below: IFTR/FIRT).

A complete CV can be accessed through clicking thelink below (CV)

IFTR-FIRT

CV

Publications

Download a complete list of publications below (publications)

Publications

BOOK000.jpg

Dissertation

EVERSMANN, Peter G.F., De ruimte van het theater. Een studie naar de invloed van de theaterruimte op de beleving van voorstellingen door de toeschouwer. (dissertatie Universiteit van Amsterdam), Amsterdam, 1996.

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Theatrical Events.Borders - Dynamics - Frames. IFTR/FIRT. Theatrical Event Working Group.


CREMONA, Vicky Ann, Peter EVERSMANN, Hans van MAANEN, Willmar SAUTER and John TULLOCH (Eds.)
Amsterdam/New York, NY, 2004, VI, 398 pp.

Theatrical Events. Borders, Dynamics and Frames is written to develop the concept of ‘Eventness’ in Theatre Studies. The book as a whole stresses the importance of understanding theatre performances as aesthetic-communicative encounters of a wide range of agents and aspects. The Theatrical Event concept means not only that performers and spectators meet, but also that the specific mental sets, backgrounds and cultural contexts they bring in, strongly contribute to the character of a particular event.
Moreover, this concept gives space to the study of the role societal developments - such as technological, political, economical or educational ones - play in theatrical events.

This book at Rodopi

To the working group page at FIRT-IFTR

Links

[This section is still under construction: more links will follow] 

A publication that can be accessed through the web: "The Theatron Module Guide to Good Practice" Didaskalia: Ancient Theatre Today Vol 6 Issue 2 - Summer 2005 [Electronic Journal (ISSN 1321-4853) see:

The theatron module guide to good practice