Faculty of Humanities
P.P.R.W. Pisters
prof.dr. P.P.R.W. (Patricia) Pisters
Capaciteitsgroep Mediastudies University of Amsterdam


Turfdraagsterpad 9
1012 XT Amsterdam

Room: 1.08

Telephone
0205254593

http://home.medewerker.uva.nl/p.p.r.w.pisters/
Email



Publications

refereed academic publications (18)


2011

2010

2009

  • P. Pisters (2009). Micropolitiek. In E. Romein, M. Schuilenburg & S. van Tuinen (Eds.), Deleuze compendium (pp. 224-236). Amsterdam: Boom.
  • P. Pisters (2009). Homi K. Bhabha. In F. Colman (Ed.), Film, theory and philosophy: the key thinkers (pp. 296-307). London: Acumen.
  • P. Pisters (2009). Illusionary perception and cinema: experimental thoughts on film theory and neuroscience. In M. Poster & D. Savat (Eds.), Deleuze and new technology (Deleuze connections) (pp. 224-240). Edinburgh: Edinburgh University Press.

2008

  • P. Pisters (2008). Lili and Rachel: Hollywood, history and women in Fassbinder and Verhoeven. In J. Kooijman, P. Pisters & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 177-187). Amsterdam: Amsterdam University Press.
  • P. Pisters (2008). Delirium cinema or machines of the invisible? In I. Buchanan & P. MacCormack (Eds.), Deleuze and the schizoanalysis of cinema (pp. 102-115). London [etc.]: Continuum.
  • P. Pisters (2008). Sınır kent: Tanca. In M. Öztürk (Ed.), Sinematografik kentler: mekânlar, hatıralar, arzular (Sinema, 26) (pp. 380-397). İstanbul: Agora Kitaplığı.

2007

  • P.P.R.W. Pisters (2007). Het scherm en de werkelijkheid : het '' tussen'' denken en de status van het beeld. In H. Oosterling, H. Slager & R. van de Vall (Eds.), Intermediale Reflecties : kruisbestuivingen en dwarsverbanden in de hedendaagse kunst (pp. 74-82). Rotterdam, Erasmus Universiteit: DAF ( dutch aesthetics cahiers ) cahiers.
  • P.P.R.W. Pisters (2007). La Ville- Frontiere. In L. Creton & K. Feigelson (Eds.), Theoreme 10 < Ville cinematographiques : Cine - Lieux.> (pp. 191-197). Parijs: la sorbonne nouvelle.
  • P.P.R.W. Pisters (2007). The Refusal of Reproduction : Paradoxes of Becoming - Woman in Transnational Moroccan Filmmaking. In K. Marciniak, A. Imre & A. O'healy (Eds.), Transnational Feminism in Film and Media (pp. 71-92). NewYork: Palgrave Macmillan.

2006

  • P. Pisters (2006). Arresting the flux of images and sounds: free indirect discourse and the dialectics of political cinema. In I. Buchanan & A. Parr (Eds.), Deleuze and the contemporary world (Deleuze connections) (pp. 175-193). Edinburgh: Edinburgh University Press.
  • P.P.R.W. Pisters (2006). The Spiritual Dimension of the Brain as Screen: Zigzagging from Cosmos to Earth (and Back). In M. Punt & R. Pepperel (Eds.), Screen Consciousness: Cinema, Mind and World (pp. 123-137). New York, Amsterdam: Rodopi.

academic publications (9)


2011

  • P.P.R.W. Pisters (2011). 'The Neuro-Image: Alain Resnais's Digital Cinema without the Digits'. Zeitschrift für Medien- und Kulturforschung, 3(2), 23-38.

2009

  • P. Pisters (2009). Une temporalité de Tanger: histoire, mémoire et le temps postcolonial dans l'archive audiovisuelle. In A. Kaddouri & I. van der Poel (Eds.), Villes d'échange(s): Maghreb - Europe: actes de colloque, Amsterdam 2008 (pp. 101-110). Casablanca: Faculté des Lettres et des Sciences Humaines Ben Msik.
  • P. Pisters (2009). Logistics of perception 2.0: multiple screen aesthetics in Iraq War films. In J. Korkmaz (Ed.), Images et éthique: actes du colloque, 4-5 décembre 2008 Vol. 11. Regards (pp. 65-80). Beyrouth: Université Saint-Joseph, IESAV.

2008

  • P. Pisters (2008). Manifesto for a schizo-analysis of media culture. mastersofmedia.hum.uva.nl, 25-5-2008.
  • J. Kooijman, P. Pisters & W. Strauven (2008). A looking glass for old and new screens. In J. Kooijman, P. Pisters & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 9-15). Amsterdam: Amsterdam University Press.
  • J. Kooijman, P. Pisters & W. Strauven (2008). Mind the screen: media concepts according to Thomas Elsaesser. Amsterdam: Amsterdam University Press.
  • P. Pisters (2008). Media en migratie: verbeelding van gemende gevoelens. In M. de Jong, M. Kommer, A. van Kooyk, M. Kristalijn, N. Spanjersberg, S. Zouridis & R. Sluijs (Eds.), Denkwerk (Cahier EAJ) (pp. 111-117). Den Haag: Ministerie van Justitie.

2007

  • P. Pisters (2007). Lessen van Hitchcock: een inleiding in mediatheorie. Amsterdam: Amsterdam University Press.
  • P.P.R.W. Pisters (2007). Si Gak Moon Hwa Ui Matrix (The Matrix of Visual Culture). Seoul: Cheol- hak gwa hyun sil sa.

professional publications (1)


2008

popular scientific publications (9)


2010

2009

  • P.P.R.W. Pisters (2009). Mooie Hervormingen Bedenken en Uitvoeren. X.I., 17(2), 14-14.
  • P.P.R.W. Pisters (2009). Cinema's Utopische Affectieve Kracht [Review of the book Deleuze and the cinemas of performance: powers of affection]. Skrien, 40(8), 91-91.

2008

2007

  • P.P.R.W. Pisters (2007). De Ontsnapping. Vrij Nederland, 41(68), 64-65.
  • P.P.R.W. Pisters (2007). Het is een wonder te leven. Vrij Nederland, 30(68), 70-73.
  • P.P.R.W. Pisters (2007). Obscene Tulpen. Vrij Nederland, 24(68), 79.
  • P.P.R.W. Pisters (2007). Politiek in Filmsterrenland. Vrij Nederland, 40(68), 76-79.
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