Publications

2011

• S.M. Dasgupta (2011). The Spare Image in an Unsparing World: Framing the soldier in an indeterminate war. Transformations, 19.
• S.M. Dasgupta (2011). The Aesthetics of Displacement and the Performance of Migration. In Thamyris intersecting: place, sex and race (23). Amsterdam.

2010

• S. Dasgupta (2010). Alterity and identities: the paradoxes of authenticity. In A. Hoffmann & E. Peeren (Eds.), Representation matters: (re)articulating collective identities in a postcolonial world (Thamyris intersecting: place, sex, and race, 20) (pp. 33-46). Amsterdam [etc.]: Rodopi.

2009

• S. Dasgupta (2009). Words, bodies, times: Queer Theory before and after itself. Borderlands E-Journal, 8(2).
• S. Dasgupta (2009). Jacques Rancière. In F. Colman (Ed.), Film, theory and philosophy: the key thinkers (pp. 339-348). London: Acumen.
• S. Dasgupta (2009). Conjunctive times, disjointed time: philosophy between enigma and disagreement. Parallax, 15(3), 3-19.
• S. Dasgupta (2009). Resonances and disjunctions: matrixial subjectivity and queer theory. Studies in the Maternal, 1(2).

2008

• S. Dasgupta (2008). Between the aesthetics of migration and migratory aesthetics. In G. Watson, A. Dasgupta & M. Szewczyk (Eds.), Santhal Family: positions around an Indian sculpture (pp. 98-105). Antwerpen: Museum van Hedendaagse Kunst Antwerpen.
• S. Dasgupta & W. Staat (2008). Of surfaces and depths: the afterlives of ''Tales of sound and fury''. In J. Kooijman, P. Pisters & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 43-59). Amsterdam: Amsterdam University Press.
• S. Dasgupta (2008). The visuality of the Other: the place of the migrant between Derrida's Ethics and Rancière's Aesthetics in 'Calais: the last Border'. In M. Aydemir & A. Rotas (Eds.), Migratory settings (Thamyris/Intersecting: place, sex and race, 19) (pp. 181-193). Amsterdam [etc.]: Rodopi.
• S. Dasgupta (2008). Managing the contradictions of culture. In H. Weeda, O. Chenal, G. Chierchia, L. Mathol & G. Wagner (Eds.), Managing diversity? Art and (the art of) organisational change (pp. 171-175). Amsterdam: Mets & Schilt.

2007

• S. Dasgupta (2007). Cultural constellations, critique and modernity: an introduction. In S. Dasgupta (Ed.), Constellations of the transnational: modernity, culture, critique (Thamyris/intersecting: place, sex, and race, 14) (pp. 9-22). Amsterdam/New York: Rodopi.
• S.M. Dasgupta (2007). Jacques Ranciere en de spiraal van het denken over politiek en esthetiek. In S. de Boer (Ed.), Het esthetisch denken (text & context). Amsterdam: Valiz.
• S. Dasgupta (2007). Running a(g)round: migratory aesthetics and the politics of translation. In S. Durrant & C.M. Lord (Eds.), Essays in migratory aesthetics: cultural practices between migration and art-making (Thamyris intersecting: place, sex, and race, 17) (pp. 191-203). Amsterdam: Rodopi.
• S. Dasgupta (Ed.). (2007). Constellations of the transnational: modernity, culture, critique. (Thamyris/intersecting: place, sex, and race, 14). Amsterdam/New York: Ropodi.
• S. Dasgupta (2007). Whither culture? Globalization, media and the promises of cultural studies. In S. Dasgupta (Ed.), Constellations of the transnational: modernity, culture, critique (Thamyris/intersecting: place, sex, and race, 14) (pp. 139-175). Amsterdam: Rodopi.

2008

• S. Dasgupta (2008). The politics of contamination. [Review of the book Inhuman conditions: on cosmopolitanism and human rights]. Krisis, 9(3), 47-52.
• S. Dasgupta (2008). Art is going elsewhere: and politics has to catch it : an interview with Jacques Rancière. Krisis, 9(1), 70-76.

2009

• S.M. Dasgupta (2009). Trouble in the Contact Zone: Culture and Art in the Age of Identity. In Van Abbe Museum (5).