Publications
refereed academic publications (5)
2011
- S. Berrebi (2011). Jean-Luc Moulène: photography as training manual. Afterall, 28, 34-41.
2009
- S. Berrebi (2009). Dubuffet's myth. [Review of the book Dubuffet]. Art hist., 32(3), 639-642.
2008
- S. Berrebi (2008). Jacques Rancière: aesthetics is politics. Art & Research, 2(1).
- S. Berrebi (2008). Everything you wanted to know about Jacques Rancière but were afraid to ask... Art & Research, 2(1).
2007
- S. Berrebi (2007). Dubuffet as model. In R. Leeman (Ed.), Histoire et historiographie: l'art du second XXe siècle (20/21. siècles, 5/6) (pp. 113-122). Nanterre: Centre Pierre Francastel.
academic publications (7)
2011
- S.Y. Berrebi (2011). Jean-Luc Moulènes dialektiska dokument. OEI, 301-308.
- S.Y. Berrebi (2011). 'Med ett positivt sinne och en pocketkamera.’ Konstnären som dokumentarist. OEI, 333-338.
2010
- S. Berrebi (2010). 'The story of Muriel cannot be told': Alain Resnais, Wendelien van Oldenborgh and How to decolonise the document. Simulacrum, 18(2/3), 98-101.
- S. Berrebi (2010). Goats, lamb, veal, breast: strategies of organisation in Zoe Leonard's 'Analogue'. Afterall, 25, 30-37.
2009
- S. Berrebi (2009). Over fotograferen, bouwen en borduren: een gesprek met Berend Strik = On photographing, building and stitching: a conversation with Berend Strik. In B. Strik (Ed.), Thixotropy: bewerkte, bestikte foto's = transfixed, stitched photographs (pp. 6-23). Amsterdam: Valiz.
2007
- S.Y. Berrebi (2007). Documentary evidence. In M. Schavemaker & M. Rakier (Eds.), Right about now: art & theory since the 1990s (pp. ??). Amsterdam: Valiz.
- S.Y. Berrebi (). The historiography of art since 1945, part 2. Paris, Paper given in research seminar at the INHA (Institut National d'Histoire de l'Art).
professional publications (3)
2011
- S. Berrebi (2011). De wereld in 18 lessen: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 2011(2), 36-45.
- S. Berrebi (2011). The world in eighteen lessons: Christopher Williams. Metropolis M, tijdschrift over hedendaagse kunst, 2011(2), 115-117.
2008